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・ Ann Marie Doory
・ Ann Marie Fleming
・ Ann Marie Flynn
・ Ann Marie Hayes
・ Ann Marie Lipinski
・ Ann Marie Lynch
・ Ann Marie Rogers
・ Ann Marie Starr
・ Ann Marlowe
・ Ann Marsh
・ Ann Marshall
・ Ann Martin
・ Ann Martin (journalist)
・ Ann Marvet
・ Ann Mary Hamilton
Ann Mary Newton
・ Ann Mather
・ Ann Maurice
・ Ann Maxwell
・ Ann May
・ Ann McCrea
・ Ann McElhinney and Phelim McAleer
・ Ann McGovern
・ Ann McKechin
・ Ann McKee
・ Ann McKenna
・ Ann McLane Kuster
・ Ann McLaughlin Korologos
・ Ann McNamara
・ Ann McNamee


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Ann Mary Newton : ウィキペディア英語版
Ann Mary Newton

(Ann) Mary Newton (29 June 1832—2 January 1866) was an English painter who studied in England under George Richmond and in Paris under Ary Scheffer. Her works were exhibited at the Royal Academy of Art.
==Biography==
Ann Mary Newton was the daughter of Joseph Severn, the artist and friend of Keats. She was taught to draw by her father, and then on the Severn family's return to England in 1841, studied with George Richmond. In 1857 she received lessons from Ary Scheffer in Paris. She specialized in portraits of children and worked in crayon, chalk, pastel and watercolour. In the mid-1850s she supported her family with a number of commissions, traveling to the homes of wealthy patrons. Her first picture to be exhibited at the Royal Academy was ''The Twins'' in 1852, a portrait of her younger brother and sister. During this time she also painted portraits of Queen Victoria's children and nephew.
In 1861 she married the archaeologist Charles Thomas Newton, who became Keeper of Greek and Roman Antiquities at the British Museum. She made drawings of Greek sculpture for his public lectures and also designed illustrations for his ''History of the Discoveries at Helicarnassus, Cnidus, and Branchidae'' (2 vols, 1862–63) and ''Travels and Discoveries in the Levant'' (2 vols, 1865). A number of her important sketchbooks, which make up an important picture-diary of her travels in the eastern Mediterranean and contain witty caricatures of the family, are in the possession of Severn descendants.
In the 1860s she began to work in oils and exhibited a number of pictures in the Royal Academy exhibitions, most notably a self-portrait (National Portrait Gallery, London) and an Arthurian subject from Tennyson, ''Elaine'' (exh. 1863). She died of measles in 1866 at her marital residence, 74 Gower Street, Bloomsbury. at the age of thirty-three, having had no children.

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